Does the Wife Die in the Art of Racing in the Rain

  • Grace, serial 2, review: John Simm's gloomy detective looks set up to become an ITV staple

    ITV's adaptation of Peter James'south crime novels makes a solid return with some superb, layered character acting from its lead

    John Simm as DSI Roy Grace
  • BBC's 'nigh ambitious environmental series yet' looks more than like a travel jolly

    Our Changing Planet is likewise chilled out virtually global warming - information technology needs to make the states change our behaviour towards the natural world

  • The fragile artworks yous will see, but can never touch

    Using holograms means an Edgar Degas sculpture worth more £20m can be 'exhibited' across the world without any chance of damage

  • Nick Mason's Saucerful of Secrets, review: glam-stone swagger and tearing experimentalism

    The Pink Floyd drummer and co dazzled the Royal Albert Hall with two hours of tempo-shifting nuttiness from the band'south formative years

  • Ed Sheeran goes metal – just still has the world every bit his choir

    The troubadour raised the roof at Dublin'due south Croke Park with every musical style imaginable. Simply his songcraft and charisma shone through

Annotate and analysis

  • How Orwell'due south stab at socialist propaganda ended up as an attack on 'the stupid cult of Russia'

    First published in 1937, The Road to Wigan Pier is a masterpiece – then why did many leftists detest it?

    Novelist and journalist George Orwell
  • Victoria Coren Mitchell in Brain Reaction
  • Sorry, Oscar-hungry auteurs – the Netflix 'passion project' party is over

    The streaming behemothic's plummeting subscriber numbers can only mean one affair for movie theatre: more than films like The Adam Projection, and no more than Romas

    Zoe Saldana and Ryan Reynolds in The Adam Project
  • Put your claws away, theatregoers – and give Jodie Comer a pause

    The Killing Eve star'south West End debut seems to be a hit with fans. But the transition from screen to stage doesn't always get smoothly

    Jodie Comer in rehearsals for Suzie Miller's play Prima Facie

Reviews

  • Nick Bricklayer's Saucerful of Secrets, review: glam-rock swagger and fierce experimentalism

    The Pink Floyd drummer and co dazzled the Royal Albert Hall with two hours of tempo-shifting nuttiness from the ring'due south formative years

    'Watch out for some crowd-surfing': Nick Mason's Saucerful of Secrets
  • Ed Sheeran goes metallic – only still has the world as his choir

    The troubadour raised the roof at Dublin'due south Croke Park with every musical fashion imaginable. Simply his songcraft and charisma shone through

    Edtallica: Ed Sheeran rocks out at Croke Park
  • Renaud Capuçon and Martha Argerich on stage in Aix-En-Provence
  • Sibyl, Barbican review: William Kentridge blows upward the futurity, in spectacular fashion

    The Due south African creative person has channeled his visual obsessions into a powerful, prophetic 40-minute masterwork

    'A powerful, elusive mix': Sibyl, at the Barbican
  • What happens to pop stars after their fifteen minutes of fame – the ugly truth

    In his new book Leave Stage Left, Nick Duerden interviews dozens of one time-famous musicians who found themselves out of mode

    So Solid Crew's Lisa Maffia, bottom left, now runs a hairdresser in Margate
  • Is there anything Zadie Smith can't do?

    The author showed she can sing beautifully, alongside all her other talents, in a Barbican performance with the BBC Symphony Orchestra

    Cultural polymath: Zadie Smith

Backside the music

Rock's untold stories, from band-splitting feuds to the greatest performances of all time

Tonight'south Television

  • What'due south on TV tonight: Rugby Union: England v Ireland, Our Changing Planet, Grace and more than

    Your complete guide to the calendar week's television, films and sport, across terrestrial and digital platforms

Screen Secrets

A regular series telling the stories backside film and TV's greatest hits – and about fascinating flops

  • A broken-down bank clerk and a month in Margate – how TS Eliot wrote The Waste Land

    In 1921, Lloyds Banking concern sent TS Eliot to the seaside 'to practise nothing'. He tried – simply accidentally wrote the verse form of the century instead

    'On Margate Sands./ I can connect/ Nothing with nothing': Martin Parr's 1986 photograph of Margate seafront
  • What happens to pop stars after their 15 minutes of fame – the ugly truth

    In his new book Leave Stage Left, Nick Duerden interviews dozens of once-famous musicians who found themselves out of style

    So Solid Crew's Lisa Maffia, bottom left, now runs a hairdresser in Margate
  • 'I don't care what a bunch of 19-year-sometime gender-studies students think'

    So says the boss of Forum, a new publishing banner that'south offering a home to 'cancelled' authors

    Publish and be damned: Sussex University protesters rallying against Kathleen Stock
  • How Orwell'southward stab at socialist propaganda concluded up as an attack on 'the stupid cult of Russian federation'

    First published in 1937, The Road to Wigan Pier is a masterpiece – so why did many leftists hate it?

    Novelist and journalist George Orwell
  • In from the common cold: indigenous Sámi artists debut at the Venice Biennale

    The native people of the Chill Circle are highlighting their controversial past from this weekend

    Sami artists debut Venice Biennale
  • At the Venice Biennale, surreal joys are in, Putin is out – and the stale males are hanging on

    The 59th edition of the art caricature pays tribute to Ukrainian heroism while delving brilliantly into the weirder corners of our minds

    In the Giardini is a temporary Ukrainian 'piazza'
  • The Van Gogh of Kazakhstan who feigned insanity to escape the Soviets

    The land's first always pavilion at the Venice Biennale plunges you into the eccentric world of Sergey Kalmykov

    Dreamer: Sergey Kalmykov
  • Sonia Boyce, British Pavilion, Venice, review: lacks the X-gene of genuine imaginative strangeness

    The British artist's Venice show Feeling Her Way is gentle and tasteful, with an underlying current of social critique, but information technology doesn't soar

    Room 3 in Sonia Boyce's 2022 British Pavilion featuring performers Jacqui Dankworth and Sofia Jernberg

In depth

More than stories

  • Grace, series 2, review: John Simm's gloomy detective looks prepare to become an ITV staple

    ITV'due south accommodation of Peter James's offense novels makes a solid return with some superb, layered character acting from its pb

    John Simm as DSI Roy Grace
  • BBC's 'most aggressive environmental series yet' looks more like a travel jolly

    Our Changing Planet is too chilled out about global warming - it needs to make us change our behaviour towards the natural world

    Steve Backshall snorkles in the Maldives
  • The frail artworks you volition see, but can never touch on

    Using holograms ways an Edgar Degas sculpture worth more £20m can exist 'exhibited' across the world without any risk of damage

    Edgar Degas
  • Nick Stonemason's Saucerful of Secrets, review: glam-stone swagger and fierce experimentalism

    The Pink Floyd drummer and co dazzled the Royal Albert Hall with 2 hours of tempo-shifting nuttiness from the band's formative years

    'Watch out for some crowd-surfing': Nick Mason's Saucerful of Secrets
  • Ed Sheeran goes metal – merely withal has the world as his choir

    The troubadour raised the roof at Dublin'due south Croke Park with every musical style imaginable. But his songcraft and charisma shone through

    Edtallica: Ed Sheeran rocks out at Croke Park
  • Renaud Capuçon and Martha Argerich on stage in Aix-En-Provence
  • A jerry-built bank clerk and a month in Margate – how TS Eliot wrote The Waste Country

    In 1921, Lloyds Depository financial institution sent TS Eliot to the seaside 'to do nothing'. He tried – but accidentally wrote the poem of the century instead

    'On Margate Sands./ I can connect/ Nothing with nothing': Martin Parr's 1986 photograph of Margate seafront
  • 'Get Carter? I thought no reputable actor would practise it': how Mike Hodges shook upward British motion picture

    The director reveals how he beat bad luck and "ignorant" studios to make the barbarous Michael Caine classic – and the uproarious Flash Gordon

    "He brought such a stature to the role": Michael Caine stars in Get Carter, 1971

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Source: https://www.telegraph.co.uk/culture/

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